Building with Textured Slabs

This build was inspired by the work of Mariia Orlova (Noted under my Research section) and a drawing in my sketchbook based on the outline of rocks and the negative space in-between cracks and clusters of rocks, as seen below. The Craft Crank clay was compatible with this build as it highlighted the rips and tears of each slab.

My initial idea, was to develop another large form. I wanted to keep building upwards and have a straight and tall form. However, during the process, I was enjoying the curved slab pieces (as I used the former to shape the slabs) and it ended up coming to a natural finish as the top closed in.

I like the gaps and negative space held within the piece. It resembles qualities of an artefact or eroded object. There’s also the presence of fragility in this piece, as the slabs are precariously stacked. Once fired, the sense of fragility will also be heightened.

This is the piece now glazed- I used one of my 3D glaze maquettes for the main inspiration. The green is a chartreuse stain (10%) with base glaze C and the remainder is Cath’s transparent glaze with 8% Titanium and copper carb. I also used a black engobe to try and mono-print with, however, once I added the glaze, it just blended in with the mix. You can see areas where it is still intact. In the holes, I added black engobe.

REFLECTION-

Overall, there are successes within this piece. The way the oxide has clung to the texture and the subtle, earthy colour of the glaze in contrast. The green could be more vibrant, but I also like the muted quality of it. I’d say the finish is slightly bland, more could be going on. The form could be less predictable, more precarious, more fragile, more tediously stacked. The finish is matte, perhaps areas of gloss could enhance some textural qualities and if the mono-print worked, that would have established more depth and layering.